Education:

MFA, Florida State University, Tallahassee, 1976
BFA, University of Florida, Gainesville, 1972
Florida State University Overseas Study Program, Florence Italy, 1971
Agnes Scott College, 1968-70


Awards:

Visual Arts Grant, D.C. Commission on the Arts and Hunanities, Washington, DC, 1981
Teaching Assistantship, Florida State University, Tallahassee, 1975-76


Solo Exhibitions:

Friends and Family, Montgomery College Pavilion of Fine Arts, Takoma Park, Maryland, 1994
Paintings, Diane Brown Gallery, Washington, DC, 1981
Paintings and Drawings, Fraser's Stable Gallery, Washington, DC, 1978


Selected Group Exhibitions:

Pink Lady, Girlz Club presents: Mixology, Wolfarth Gallery, Washington, DC, 2006
TEXT, Greater Reston Arts Center, Reston, Virginia, 2006
SEVEN, Washington Project for the Arts/Corcoran, Warehouse Theatre, Washington, DC, 2005
Best of Artomatic 2004, Fraser Gallery, Bethesda, Maryland, 2005
Artomatic 2004, Washington, DC
Dog Days of Summer, Zenith Gallery, Washington, DC, 2003
An Artists' Tribute to Naúl Ojeda, Fondo Del Sol/MOCHA, Washington, DC, 2002
Portraits from the James Dicke Collection, Las Vegas Art Museum, Las Vegas, Nevada, 2002
Contemporary Realism: A Survey of Washington Area Artists, The Athenaeun, Alexandria, Virginia, 2001
Art-O-Matic 2000, Washinton, DC
Rockwellian Times, 57 N Fine Arts, Washington, DC, 2000
Fast Forward, 20th Anniversary Art Auction, The Washington Project for the Arts/Corcoran, Washington, DC, 1999
The Figure, Georgetown Court Artists' Space, Washington, DC, 1984
Group Show, Source Theatre Company Art Gallery, Washington, DC 1983
Washington Best Western, Art Barn Gallery, Washington, DC, 1982
Water Variations, Art Barn Gallery, Washintronm DC, 1981
Dog Show, Gallery K, Washington, DC, 1980
Portraits, Washington Project for the Arts, Washington, DC, 1980
27 X Plus, Artists' Invitational Museum, Beverly Court Co-op, Washington, DC, 1980
Laundry Show, Artists' Invitational, Washington, DC, 1980
Group Painting Show, Morris Mechanic Theatre, Baltimore, Maryland, 1979
Drawings X 12, Government Services Savings and Loan, Bethesda Maryland, 1979
Towards a New Portrature, Government Services Savings and Loan, Bethesda, Maryland, 1978
Artists on the Phillips Staff, Phillips Collection, Washington, DC, 1976


Public collections:

City Hall Art Collection at the John A. Wilson Building
Art Bank of the DC Commission on the Arts and Humanities


Private Collections and Commissions:

Susan Hecht, Washington, DC; Robert and Mary Bonner, Washington, DC; Melinda Bieber and Norman Pozez, Washington, DC; James Dicke, New Breman, Ohio; Darlene Byrd, Silver Spring, Maryland; Jeffery Rosenbaum, Gaithersburg, Maryland; Janet DeCosmo, Tallahassee, Florida; Suzanne and David Vaughn, Clarksburg, Maryland; Amy Klein, Bethesda, Maryland; Tim Corcoran, Washington, DC; Sidney Guberman, Atlanta Georgia; Ted Turkle, Hyde Park, Vermont; Howard J. Friedman, Tallahassee, Florida; E. Taylor Chewning; Peter Brady; Richard M. Boardman


Selected Bibliography:

Michael O'Sullivan, "'Text': Reading Between the Lines," The Washington Post, April 7, 2006, Weekend, p. 33-34.
Lenore Miller, "Rockwellian Times," Washington Review, Vol. XXVI, No. 4, December/January, 2000/2001, p. 20-21.
Ferdinand Protzman, "How Artists See Rockwell." The Washington Post, August 10, 2000, p. C5.
Jessica Dawson, "That Loving Feeling," City Paper, Vol. 20. No. 28, July, 14-20, 2000, p. 50.
Jo Ann Lewis, "At Artists' Space, a Flair for the ‘Figure,'" The Washington Post, July, 12, 1984, p. B7.
Benjamin Forgey, "New Views of America's West," The Washington Post, May 27, 1982.
Denise Arnot, "Washington Best Western," New Art Examiner, Summer, 1982, p.16.
Bob Arnebeck, "Try It! A Feast For the Eyes: ‘Cheesecake,'" The Washington Post Magazine, June 7, 1981, p. 43.
Benjamin Ruhe, "Portraits," The Washingtonian, Vol. 16, No.3, December, 1980, p. 138.
Benjamin Forgey, "The uptown-downtown insider-outsider world of Washington art," ARTnews, Vol. 78, No. 7, September. 1979, p. 52 and 54.
Benjamin Forgey, "Two fine ideas govern show of district artists," The Washington Star, September, 1979.
Lee Fleming, "EMERGING WASHINGTON PAINTERS: A Selection," Washington Review, October/November, 1979, p. 25.
Jo Ann Lewis, "Cash and Gusto In a Capital Sculpture Boom, " The Washington Post, October, 28, 1978, p. B6.
Benjamin Forgey, Galleries: A Debut With Stunning Portraits," The Washington Star, October 22, 1978, p. E-2.


Current Employment:

Instructor, Department of Communications, Visual and Performing Arts, Mongomery College, Takoma Park, Maryland
all images © copyright Michal Hunter || email Michal